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SDCC 2012

Imagine you’ve been called in on a Saturday of all days for detention with a whole bunch of different archetypal characters! Sounds like a coming of age John Hughes film right? In actual fact, Bad Kids Go To Hell bypasses the schmaltzy path and goes straight for the gory bloodbath option. Six students from Crestview Academy begin to meet horrible fates as they serve out their detentions on a stormy Saturday afternoon.

Bad Kids Go To Hell has a tight, ensemble cast with some young, up-and-coming stars. Amanda Alch plays Megan, the know-it-all geek girl, Marc Donato plays Tarek, the smart, mysterious Arab guy, Augie Duke playing Veronica, the hard-core goth chick, Roger Edwards playing Craig, the popular jock, Ali Faulkner playing Tricia, the perfect, blonde coke-head and finally Cameron Deane Stewart playing the main character Matt, the new “bad boy” of the school. This ensemble cast is assisted by Farscape’s Ben Browder, who plays the bumbling school janitor and of course, Judd Nelson who ironically plays the role of Headmaster Nash.

The film opens with Matt on his way to detention on a Saturday. As the cast are introduced and taken into the creepy detention hall, the characters quickly find themselves arguing amongst themselves about whether or not the hall is haunted. A series of events takes places triggering the revelation of the secrets these “bad kids” have tried so hard to hide from one another.

The twist in film is that the horror is not in fact found in the ghosts that haunt the hall, or the sound effects or even by the fact that they have no logical way of escape from the building. The horror is actually inherent in the kids themselves.

It is evident the creators were keen to avoid many of the cliches apparent in too many horror films and haven’t taken themselves or the genre too seriously. Overall the film is well developed and has a strong storyline, it is held together particularly well by the performances of these young stars.

The music score is fantastic; clearly thought out and perfectly in tune with the theme of the movie and serves to draw the audience into action. It can however be overpowering at times and hinders our ability to connect with some of the characters on a deeper level. In terms of character development, certain nuances are easy to miss and therefore make it difficult to fully understand each individual character. From chatting to the creators, it’s evident that they do understand the motivations and compulsions of the characters but some of this understanding hasn’t transcended the final edit ensuring the ending isn’t as explosive as it might have been otherwise.

Given the great mix of humor and horror (neither of which is overdone) this film would be recommended for teenagers (probably over 15 considering the bits of gore) and twenty-something’s.

In terms of a horror film, “Bad Kids Go To Hell” was a notch above the rest. While the scenario these kids are put in might seem all too familiar, the storyline certainly is not. A mix between great acting and a great storyline makes it an engaging psychological horror.

David Gallaher may in fact be the grown up, real world equivalent of Eric Farrell, the main protagonist in The Only Living Boy. Gallaher, in as much as he is a fully paid member of the Grownups Club, has that innate ability to recall life as a 12 year old kid and the challenges inherent in that transitory period.

The Only Living Boy is a young adult graphic novel that tells the story of Erik Farrell, a 12-year old boy, who finds himself with alone and abandoned in a patchwork world. As the last human boy left on earth, he’ll try to piece his memory back together, while trying to piece together a new life for himself.

It’s easy to see how Gallaher would have made a great teacher.  With his easy manner and gruff charm, the Harvey Award winning writer of comics such as High Moon and Box 13 is somebody you could sit and talk to for hours about comic books and life in general. He took a half hour to sit and share his wisdom with Curicon at his exceptionally busy booth at Comic Con and told us all about the ‘patchwork’ world of The Only Living Boy as a metaphor for life and the art of growing up.

On the inspiration for The Only Living Boy

There’s a Paul Simon song called The Only Living Boy in New York, and that was sort of the impetus for the title. But I was inspired by the fact that the movie I Am Legend was filming in my neighbourhood in New York and I thought how cool it would be to have a kid-centric story about being one of the only living boys left alive. As I was working on the story, I really got to think about my time as a teacher and how being 12 years old really was the most interesting time because you don’t know what kind of child you’re going to become; you don’t know what’s going to happen to you.

On being 12 years old

At 12 years old, the world is wonderful; it’s so fraught with danger, it’s so fraught with challenges and you go through some interesting phases like your punk rock stage, your British mod stage, that time you decided you’d talk like Jacko….

On living in a diverse world

We live in a world with Muslims, Blacks, Christians, Jews, Scientologists and Mormons and Australians and Scots and Brits and you know. So we live in that world and that’s what this [The Only Living Boy] is sort of a metaphor for, how we incorporate all that.

The story was sort of inspired by The Jungle Book and Flash Gordon and Buck Rogers and those sorts of worlds where it’s one man versus the entire world. I love stuff like that. … I love stuff that confronts the challenges of growing up.

On the art of growing up

When you’re 12 you’re sort of scared of everything. You’re stuck in this position where the rules you had as a kid don’t apply to you any more and you’re not ready for the rules grown ups have. Nobody gives teenagers a handbook; when you’re 12 nobody follows the rules, you get bullied, you get picked on, your body starts to change. (Does a convincing impression of a 12 year old) “Oh wow, I’ve got hair here”, (lowering his vocal register)“Oh wow my voice deepens”, it’s a really strange place to be.

So The Only Living Boy is sort of a metaphor for that (those interesting phases) as our main character Eric finds himself in a patchwork work where he’s able to try on different identities and cultures and determine what sort of a boy, and man, he’s going to become.

On the writing process

You have the idea, you work with it, you massage it, and you kick it around a bit.

On the impact of digital comics in the comic book industry

For me it’s fine because I’ve always been a supporter of digital comics. High Moon was originally digital so it’s nice to have that flow [of real and digital comics].

The Only Living Boy is available for download on Comixology

Roger Corman at San Diego Comic Con

Academy award winning director, actor and producer Roger Corman was at Comic Con to announce his latest project; Attack of the 50 Foot Cheerleader. Describing it as a movie about a science experiment that goes wrong, the softly spoken 86 year old is still as enthusiastic and energetic about his profession as he was when he directed The Little Shop of Horrors all those years ago. And why wouldn’t he be? He reveals with a smile that there is a topless cheerleader scene at a certain juncture of the movie saying that he thought “some people might be interested in it”.

Brittany Andrews and Jena Sims, stars of Attack of the 50 Foot Cheerleader

The movie, which is Corman’s first foray into the world of 3D film, follows a college coed (Jena Sims, pictured on the right) who uses an experimental drug to transform herself into a popular beauty – but poularity comes at a cost. Cassie begins to grow and grow.

Directed by acclaimed visual effects artist Kevin O’Neill, Attack of the 50 Foot Cheerleader is an update to the great genre pictures of the 50′s. O’Neill has stated of Corman, ” In a nutshell, he’s the most inspirational person in a room and the most educated film-maker I’ve ever had the pleasure of learning from”. Corman himself is best known for movies such as The Little Shop of Horrors, Swamp Women, and Frankenstein Unbound.
Attack of the 50 Foot Cheerleader will premiere on August 25 at 10pm EST on EPIX

We chatted to William Shatner at San Diego Comic Con about everything from life on other planets to his enduring legacy as Captain James T. Kirk and his upcoming documentary called Get A Life.

Based on Shatner’s hugely popular book, this film examines the mystery, longevity and the cultural phenomena of Star Trek and its long-obsessed fans known as “Trekkers.”  On the surface, the film is an exploration of strangers who have for years attended conventions which looked foolish and almost laughable to some – but Shatner discovers the many secrets and hidden motives behind these individuals’ compulsion to attend these events.  The end result is a film that reveals a fun and touching side of the fanfare surrounding Star Trek, and examines the thrill of what’s happening at these fantasy conventions and the enduring popularity of the film and TV series as Shatner further embraces his role as Captain James T. Kirk and his own impact.

Thanks for taking the time to chat with us. Tell us a little bit about the movie.

The documentary is called Get A Life and it’s about people who come to Comic Con and people who attend Star Trek conventions. I did a sketch a couple of years ago called Get A Life and its humour resonated, as it was meant to do and then some time later I asked myself ‘who are all these people I’m talking to’ and I wrote a book (also called get A Life) in which I conclude that they’re coming to these conventions to see each other and renew old friendships and be a part of the community. That was the conclusion of the book. But when I asked that same question again years later, this year, I found something very different; that there is something very ritualistic, very mystical and sociological about these conventions and that have a far deeper meaning than even the people themselves know.

Last year we saw you at a news conference and you were doing ‘Captains’, now you’re doing this one and both seem to be retrospectives on your career. What’s happening with you, Bill Shatner?

I’m dying! (laughs) Well, it’s true. I’m just not sure of where and when yet. It’s not that I want to leave a legacy… It’s just that I’m having a sense of an entirety, I’m beginning to see the ‘whole’ and I’ve been given the opportunity by Epix … to make this documentary. Doug Lee in fact. He has given me the opportunity to work on these documentaries. I’m working on one on Xena (Warrior Princess). Who goes to see Xena twelve years after it’s been cancelled? It’s far deeper than you understand. There is a depth (in the series) and it’s human. Who goes to Comic Con? It’s (the reason) far deeper than you understand and it’s far deeper than they understand. When they see this movie, I hope that they conclude, ‘my God, is that what I’ve been doing’?

You became famous for being Kirk, people identified you as Kirk and you wanted to get beyond that as an actor and to do other roles. And now, it seems that you have returned to Kirk, that you love being Kirk and being identified as him. Is that true?

I never disliked being Captain Kirk but the show was over, I moved on because I had to make a living. But the Star Trek franchise has been extraordinary and I love the genre, I love the imagination behind it; the emotional appeal, the curiosity about what’s out there. As you know, it’s staggering how much we don’t know; in fact what is staggering is knowing that we don’t know anything. We’re spreading rumours about what you know is only rumours. The science is evolving every two or three years and there are always new conclusions…it’s too complex for us to grasp.

Through your career and your writing you have inspired so many people to enter the sciences. How do you balance science with science fiction?

They’re both the same. An astrophysicist looking out there is thinking in terms of science fiction. He’s stargazing, wondering if it’s possible that a planet he’s looking at has heat or if it’s got water. Our earth is 5 billion years old, what happened for 10 billion years?  What was evolving for 10 billion years?…you just know when you’ve done all the calculations that there’s got be life burgeoning at every corner of the universe. The distance between us is so enormous, The dark matter that we don’t see has got to have some life in it.

And with the addition of a limited edition Curicon issue #2 metal card in his back pocket, William Shatner heads off to his next appointment.

Get A Life will premiere on July 28 at 8pm EST on EPIX

What a day! Day one is down and it’s been incredible. From meeting Dr. Travis Langley and talking about the mental illnesses of superheroes and villains to getting chased from Lou Ferrigno‘s booth….by Lou Ferrigno himself.
We saw Kristen Stewart, Tom Lenk (Aimee even got a photo with him!) and so many more celebrities that gave cause to geek out. We um…accidentally recorded some behind-the-scenes Halo footage of the Warthog without realising that it was forbidden. That being said, we did manage to keep the clip so you can find it here if you’re interested!
We got to meet some awesome industry people at the Voltron panel  in the forms of Brandon Thomas (writer of the Dynamite Voltron series) and Jacob Chabot (Viz Media‘s Voltron Force books 1 and 6). We also got to meet Team Unicorn at the Voltron Panel where Mattel announced the launch of a new multipart Voltron toy, available excusively at mattycollector.com
But best of all, we met some awesome people; standing in lines for bathrooms, hotdogs and panels. We met some of THE coolest cosplayers in the world including one of the youngest Star Wars fans ever. We decided that best way to explain the awesomeness of the day would be in pictures. So here you go!
Lines around the block. Nothing unexpected there then…

Coolest little cosplayer ever!

Dr. Travis Langley, author of Batman and Psychology: A Dark and Stormy Knight

Curicon's Aimee meets Buffy's Tom Lenk! Aimee meets Buffy’s Tom Lenk!

Awesome Scarlet Spider!

more awesome cosplay!

Lou Ferrigno … about three seconds before he chased us from his booth!

You’re going to have to take our word for it but Kristen Stewart was in that car!! Cue massive screams all round. And that was just some of the boys….

Team Unicorn make it onto the stage for the Voltron Panel.

Voltron Writer Brandon Thomas

Curicon meets the very passionate Brandon Thomas!

Traci Todd & Jacob Chabot
Curicon meets the awesome Traci Todd & Jacob Chabot

Travis looking so excited to meet Matt!

It’s Day One of Comic Con, so Curicon met up with superherologist Dr. Travis Langley at San Diego Comic Con to discuss his recently released book Batman and Psychology: A Dark and Stormy Knight. We settle down for a chat with the superherologist to discuss the advantages of interpreting the psychology of a fictional character over a real person, the villains of the Batman universe and what’s next for the Super Hero psychologist and all round nice guy.

I’m sure it’s the question that everybody asks you but what is it about Batman that made you write an entire book on psychology? What is it about a fictional character that makes you write a book on psychology in the real world?

It’s easy to explain why it’s Batman as opposed to other superheroes. Stan Lee brought a lot of dimensions to his characters in the sixties at a time when a lot of superheroes were quite two-dimensional but Batman is defined by his psychology whereas Superman is defined first by his powers. Spider man has a very rich personality but he’s defined by the fact that he was this kid who got bitten by a radioactive spider.

Batman made himself into a superhero and turned himself into this bat thing that he is. Peter Parker did not ask to get bitten by a spider, Superman did not ask to get rocketed to Earth . Ok, Batman did not ask to have his parents killed but he DID decide to become this bat.

How does this relate to real psychology?

Well, one thing I can talk about in psychology of a fictional character in the way I couldn’t with real people, is the fact that we see thought balloons. We know things about this person’s thoughts that we couldn’t know otherwise.

If you were to write a book and go back and analyse Ted Bundy – a worthwhile thing to do – but all we know about his thoughts are what he’s told us and he lied a lot. With Batman we see a thought bubble and we know what was going on inside his head. Also, Bruce Wayne can’t sue me!

I can address things with a fictional character in ways that I couldn’t with real people. I can speculate in ways that would be unfair to a live person, or their survivors or their victims. This being one of the most famous fictional characters in the world, you’ve got the fact that you don’t have to explain a lot of things [about his background],

And it’s not just him. You’ve got this whole rogues gallery of other characters through his entire life. You get to look at different aspects of psychology and not just the mental illness but also developmental psychology, social psychology, and many other things.

So, I guess to reverse the question, was it Batman who got you interested in psychology?

No, to ask me when I got interested in Batman is like asking me when I got interested in ice-cream. It’s just something that was always there for me.  He was Adam West on TV when I was little and he was just …there.

So being introduced to Batman as Adam West, on the TV show how does that make you feel about the darker incarnations of Batman now?

I can still enjoy it [the darker versions of Batman]. But I can understand the people who don’t. For people who were 13 or 15 growing up with the Adam West TV show, I can understand them being appalled by that [new] approach. 

What is it about Batman that has held people’s interest for almost 70 years?

Well, we want heroes. And we don’t just want heroes in the daytime. We need heroes in the dark. If you’re getting bullied as a little kid, you don’t just want that bully to stop. You want somebody to scare that bully and make that bully feel the way you feel. Batman’s the part of us that wants to make somebody do that to the bullies.

What about the psychopaths he comes up against? I’m interested in the psychology of Two-Face. What’s your take on him?

What I focused on with him is locus of control, our tendency to attribute causality, to take internal responsibility or external responsibility for our actions.

The main thing with him is I really think he’s somebody with an internal locus of control. He does, at heart, take personal responsibility but after this horrible thing happens to him and he wants to do these bad things, he doesn’t want to accept that responsibility that at heart he feels is his.

So do you find his character more interesting than the straight-up psychopathic Joker?

It’s hard not to be interested by The Joker. With The Joker there are so many things you can talk about. The main thing with the Joker would be to outline why in fact he would be considered legally sane. Most of Batman’s enemies, they get locked up in Arkham Asylum but most of them would qualify as actually legally sane. They know what they’re doing, they know it’s wrong,

When the Joker kills you he knows that you’re not a brain-sucking creature out to get him. He knows what  he’s doing and he likes it. He’s bizarre. He has a bizarre way of thinking and doing things but he knows what he’s doing. One of the interesting things about him is his effect on other people. He affects Jason Todd. He affects Harley. For example. what exactly is the relationship between Harley and the Joker? Why did a smart woman go the way she went?

The Joker is a force of chaos in the entire Bat Universe  in which we don’t that much about what goes on in his head as with others. We don’t know his history. All we ever get are inconsistent lies. In ‘Batman: The Killing Joke’ he says “sometimes I remember one way, sometimes I remember another, if I have to have a past I prefer it to be multiple choice”. And it’s just as well we don’t know. Jerry Robinson who created the Joker, told me he never had any origin in mind. Even the bit about him falling in acid, some other people came up with that later on. They thought it best that you don’t know because with him (The Joker) what’s interesting is how he affects others.

Moving away from Batman’s villains and onto his young male friends, what’s your opinion on Batman having a sidekick?

In terms of narrative and for story-telling purposes, Robin was created because Bill Finger got tired of writing thought balloons! But it humanizes the character, even as odd as it seems having a child running around fighting crime.

The thing with Robin is this is a story about a boy. This is the story about somebody becoming a hero, somebody going through the hero’s journey, that archetypal path.  With superheroes like Batman and so forth, you’ve got a hero-complete essentially. It’s a bit like Jesus; he’s a kid, then he’s grown. You don’t really see much in between. People don’t tell the stories in between very much with Batman but with Robin you’ve got the story of somebody who’s very much becoming a hero.

So what’s next for you? More books? More Batman? Or is Batman forever?

I’ve got other books I want to do. It’s a matter of me sitting down with my publisher and deciding from the things I want to do and what matches what movies are coming out. There are a couple of things I want to do that they say, “that’ll be great in three years time when such-and-such movie is coming out”. But nothing’s been decided just yet.

Any Spiderman books in your future? [Token fan boy question from Matt here]

 

I do want to write a Spiderman book. I want to write about all of the three best-known superheroes; Batman, Spiderman and Superman. With Superman though you’re venturing into a more mythical area, moving further away from real world. Also, most people don’t know his enemies outside Lex Luther and that makes it more of a challenge. Spiderman won’t be as hard.

And with a final flourish he signed a copy of Batman and Psychology: A Dark and Stormy Knight for us. Here’s the plug: available now from all good book stores.

Let the madness commence!! The most hotly anticipated event of the nerd year has finally opened its doors. After months of waiting, anticipating, endless hours trying to get tickets sorted (oh why is the SDCC computer system so archaic???), and angsting over which comic book character t-shirts to pack (answer: all of them), San Diego Comic Con opened its doors for preview night.

We’ve been absolutely HYPER in the run-up to SDCC. That just escalated into sheer madness by the time we got on the aircraft. Luckily the lack of sleep in the 24 hours before the flight ensured we passed out for the majority of the journey. But not before we took some pictures of….well, everything. We were like kids whose parents had let us out of the house for the first time. With a camera. Here are some of our better efforts

Yes, really

Oh look, more clouds!

We’ve arrived!! Where’s our welcome committee???

Mwahahaha…Yes, we’re press!

Mwahahaha…..yes, we’re press!!!

After all that hyperactivity, we needed a little nap to refresh us for preview night!

We were in line for a couple of hours to be let into the Exhibit Hall. I’m sorry to say we weren’t in any way professional and the fanboys and girls in us came to the fore in a most unbecoming manner. We were practically SCRATCHING at the door to be let in, foaming at the mouth at the thought of all those exclusive collectible toys. All in all, it’s safe to say our dignity was left in the overhead compartment of the Virgin aircraft we came in on. We’ll try to relocate it on our way back home.

Given the amount of people there, the line went surprisingly quickly so when the doors finally did open, it was like being left loose in toyland!

Here are some of our pics!

Nerding Out

We had chilled out a little bit at that stage so were in a much better position to, you know, actually speak to people. We met the lovely David Gallaher from Marvel who, along with Steve Ellis, will be debuting his comic book The Only Living Boy at SDCC. They’re both really nice guys, so for those of you at the con, try to swing by Booth #2206 and say hello. For those of you who didn’t make it this year, try to get your hands on a copy. It looks awesome!

Other people we met include Spiderman and Silver Surfer inker Victor Olazaba, British artist Jim Cheung and Randy Emberlin, known for his awesome work on X-Men, Amazing Spiderman, Star Wars, Batman and The Avengers. It

Check out Victor settling down for a read of new amazing Aussie comic, Winter City. He’s a cool guy!

Randy very kindly signed a copy of Matt’s Scarlet Spider. So even if Matt had to go home now, he’d be happy.

Over the next few days, we’ll be keeping you updated on all the happenings at SDCC. Follow us on Twitter and Facebook for more updates on panels, announcements, interviews and anything else that takes our fancy.

With lots of nerdy love!

The Curicon Team

For the noobs going to San Diego Comic Con, we have compiled a list of some of the best guides to surviving the weekend at Nerd Mecca. That way you can have the best of everything by picking and choosing the tips most relevant to you.

Yes, we could have written a guide ourselves and given you tips that were thoughtful, eloquently written and downright fabulous. But we thought it better to arm you with as many guides as possible, straight from the pens of Comic Con veterans. Some would call it lazy. We prefer the term ‘energy efficient’.

One thing we will mention though. For the love of whatever deity you believe in, and even if you don’t believe in any, do everybody a favour and bring deodorant and breath mints. And don’t be afraid to use them liberally, on your underarms and in your mouth respectively. They won’t be half as effective if you use them the other way around.

Comic Con is a crush from beginning to end and if you’ve had your olfactory senses assaulted by anybody who hasn’t been acquainted with a bar of soap in over 12 hours, you’ll agree with us when we say, it should be a term of entry into any convention that all attendees be utterly deodorized.

So here they are, the 7 best survival guides to San Diego Comic Con 2012!

LA Times – Hero Complex

Comic Con Tips: A ‘Dexter’ Survival Guide for a killer weekend

How would our favourite serial killer approach the mash-up that is San Diego Comic Con. With precision and forward planning of course. ‘Dexter’ writer and producer Scott Reynolds provides this in-depth guide to the SDCC ‘Code’.

Con News

Shawn Marshall gives a great run-down on getting the edge on SDCC panels. If you want to have the best Comic Con experience possible, I suggest you take note of his wise words.

Crave Online

Bibbs and Whitney from Crave Online offer some veteran advice on making the most of the SDCC weekend.

Mania

Rober T. Trate offers some insight into experiencing ‘Nerdvana’ in all its glory, including not being ‘that guy’ with the longbox of comics to be signed.

Wired

Geek Dad covers the dos and don’ts of surviving SDCC

Geek Tyrant

‘Don’t scare the celebrities’ and other tips, like not freaking the booth babes out. Definitely worth a read!

Aggressive Comics

Possibly the best survival guide ever, simply because of how witty it is. We’re loving the 50’s style and the general hilarity of it all. Well worth a look. And make sure you watch it until the end!

On a final and more somber note, on Tuesday morning Twilight fan Gisella G. was killed in a traffic accident while crossing the street to wait in line outside the San Diego convention centre. It was a senseless tragedy for all concerned. Please, whatever you do, take care of yourselves. A tragedy like this shouldn’t have happened in the first place and it casts a terrible shadow on an event that epitomizes fun and everything geeky and cool.

Take care of yourself, keep an eye out for friends and try to stay together if you can. And above all, have an amazing weekend. Because despite the over-priced food, the long hours standing in line for panels and the endless lines to the bathroom, SDCC is the most fun you can have with your clothes on!!

Enjoy it all and see you there!

-Kerrie and all the Curicon team

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